Director’s Message
- To take correct guidelines for a result-oriented way of technical education for the improvement of constructive changes with new concepts and ideas in the industrial sector.
- To initiate practical activities and guidelines for cost-effective production through interaction between students verses students and faculty verses students for fresh ideas, concepts and concrete suggestions.
BBA Fashion Design Management

Admission Criteria
We require candidates to meet the minimum entry test requirements for our undergraduate programs.

Test Guidelines
Admission test and interview are crucial for selecting undergraduate candidates. Priority is given to those who excel in these assessments.

Financial Aid
The Textile Institute of Pakistan ensures that deserving students can pursue their academic goals unhindered by financial constraints.
Curriculum Structure and Courses
| Course Code | Course Title | Credit Hours |
| ACCT-101 | Principles of Accounting – I | 3 |
| ENGL-101 | English Language Basics | 3 |
| MATH-101 | Introduction to Mathematics | 3 |
| FASH-110 | Drawing I | 4 |
| FASH-150 | Basic Design I | 4 |
| 17 |
| Course Code | Course Title | Credit Hours |
| FASH-101 | Introduction to Fashion Design | 3 |
| ACCT-101 | Principles of Accounting-II | 3 |
| ENGL-102 | English Composition | 3 |
| MATH-120 | Maths& Statistics for Business | 3 |
| FASH-120 | Drawing II | 4 |
| 16 |
| Course Code | Course Title | Credit Hours |
| PKST-200 | Pakistan Studies | 1 |
| COMP-200 | Computer for Designers | 3 |
| FASH-201 | Pattern Construction | 3 |
| ECON-201 | Business Economics | 3 |
| FASH-203 | Fashion Illustration I | 3 |
| MGMT-201 | Principles of Management | 3 |
| TEXT-175/275 | Introduction to Textile Manufacturing | 3 |
| 18 |
| Course Code | Course Title | Credit Hours |
| RELG-200 | Religion | 1 |
| FASH-202 | Garment Technology I | 3 |
| FASH-204 | Fashion Illustration II | 3 |
| FASH-205 | History of Art | 3 |
| LAWS-204 | Business Law | 2 |
| TEXT-230 | Textile Technology | 3 |
| MGMT-250 | Business Communication | 3 |
| 17 |
| Course Code | Course Title | Credit Hours |
| FASH-321 | Fashion Photography | 1 |
| FASH-301 | Design Realization-I | 3 |
| MRKT-301 | Principles of Marketing | 3 |
| FASH-302 | Draping | 3 |
| FASH-303 | History of Fashion & Costumes | 3 |
| CADN-304 | CAD for Fashion | 3 |
| 16 |
| Course Code | Course Title | Credit Hours |
| MGMT-302 | Organizational Behaviour | 3 |
| MGMT-301 | Research Methodology | 3 |
| FASH-304 | Design Realization-II | 3 |
| MRKT-302 | Fashion Marketing | 3 |
| FASH-308 | Apparel Quality Control | 3 |
| FASH-309 | Product Development | 3 |
| 18 |
| Course Code | Course Title | Credit Hours |
| FASH-401 | Embellishment | 3 |
| CADN-407 | CAD for Designer (Gerber) | 2 |
| MGMT-407 | Human Resource Management | 3 |
| PKST-100/200 | Pakistan Studies | 2 |
| FASH-402 | Visual Merchandizing | 3 |
| FASH-428 | Fashion Research Project | 3 |
| 16 |
| Course Code | Course Title | Credit Hours |
| MRKT-401 | Export Marketing | 3 |
| MGMT-413 | Strategic Management | 3 |
| MGMT-403 | Retail Management | 3 |
| TEXT-405 | Textile Merchandizing | 3 |
| FASH-428 | Fashion Research Project | 3 |
| RELG-100/200 | Religion | 2 |
| 17 | ||
| Total Credit Hours | 135 | |

Fee Structure
Our competitive fee structure, encompassing tuition, transportation, hostel, insurance, and others are detailed here.
Program Faculty
Dr. Umair Ahmed Siddiqui
Position: Assistant Professor & Program Coordinator – Fashion Design Management & Apparel Manufacturing and Merchandising
Categories: Faculty
Umair Ahmed Siddiqui holds a Ph.D. in Fashion Designing from the University of Ulsan, South Korea. He is a versatile and accomplished TIP alumnus with over 22 years of experience in sustainable textile and fashion design, product development, merchandising, and academic leadership. He has led academic departments, coordinated programs, developed curricula, and served as a faculty member at multiple institutions. His professional experience spans designing sustainable fashion, apparels, sports and home textile collections, brand management, consulting for national and international projects, and conducting workshops and seminars. He is also an accomplished art critic and juror, with published research and contributions to international fashion and textile journals.












